Zeittraum #9. Afterimages of Life. Wladyslaw Strzeminski and Rights for Art, Muzeum Sztuki w Lodzi, Lodz, 2010
"In her so-called “Constructed Fragments”, Katja Strunz makes use of recycled materials combined with industrial or handmade elements. Taking the formal geometric considerations, such as folds, as a starting point for her sculptures, the artist's work addresses notions such as time and transformation.
Strunz recently focused on Polish avant-garde artist Wladyslaw Strzeminski`s alphabet of forms from 1932. For a recent retrospective exhibition of abstract constructivist artist Wladyslaw Strzeminski in Lodz, Strunz assembled a series of walls, which, when seen from above, formed the neologism "Zeittraum" (after Walter Benjamin' s “Dream of Time”, developed by Benjamin as part of his reflections on the philosophy of history), thus transforming the exhibition space into a labyrinth of sorts that served as a support structure for the display of the Polish artist´s works." (The Imminence of Poetics, Sao Paolo Biennale Hg., 2012, p. 206)
