FTL X01 (Faster Than Light), 2020, 220 x 180 x 50cm, powder-coated steel, exhibition view Galerie Walter Storms, München
Kreatur des Einfalls (Creature of Incidence), 2019, steel, galvanised, undercoated in black, 330 x 50 x 60 cm, exhibition view Haus am Waldsee, Berlin
Creature of Form, 2018, steel, powder coating, 56 x 63 x 50 cm
Hollow Face Illusion, 2017, print, epoxy resin, metal, 228 x 155 x 30 cm
Backbone Track, 2017, steel, VW Käfer hoods, wood, 214 x 200 x 200 cm
Particular Cases, 2017, brass, steel, 131,5 x 150 x 80 cm
Compressed Substance Shift, 2017, pulp painting, 200 x 144 cm
Creative Friction, 2017, pulp painting, 204 x 145,5 cm
Projection on a Present Moment, 2014, pulp painting, 200 x 144 cm
Katja Strunz, Contemporary Fine Arts, Berlin, 2017
Katja Strunz, Galerie Ruzicska, Salzburg, 2014
Pulp Paper II, 2013, pulp painting, 203 x 146 cm
Pulp Paper I, 2013, pulp painting, 203 x 143 cm
Drehmoment (Viel Raum, Wenig Zeit), 2013, epoxy resin, various metals, 182 x 53 x 27 cm
Berlinische Galerie, Berlin
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin, 2013
Tellurischer Riemen, 2013, steel, laquer, 800 x 250 x 400 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin
Tellurischer Riemen, 2013, steel, laquer, 800 x 250 x 400 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin
Self Existing, 2012, collage, framed 63 x 49 cm
Tellurische Kontraktion, 2013, aluminium, steel, laquer, 250 x 250 x 250 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin
Tellurische Kontraktion, 2013, aluminium, steel, laquer, 250 x 250 x 250 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin
There is no clock in the forest, 2013, various metals, Private Estate, New York
There is no clock in the forest, 2013, various metals, Private Estate, New York
There is no clock in the forest, 2013, various metals, Private Estate, New York
There is no clock in the forest, 2013, various metals, Private Estate, New York
There is no clock in the forest, 2013, various metals, Private Estate, New York
There is no clock in the forest, 2013, various metals, Private Estate, New York
Tick Tock Crick Clock, 2011, Almine Rech Gallery, Brussels
Einfalt der Vier, 2010, steel, laquer, 430 x 560 x 560 cm
Im Geviert, Saarlandmuseum, Saarbrücken
Einfall, 2010, steel, laquer, 575 x 88 x 65,5 cm
Im Geviert, Saarlandmuseum, Saarbrücken
Einfalt und Ort, 2010, steel, laquer 175 x 230 x 197 cm
Im Geviert, Saarlandmuseum, Saarbrücken
Einbruchstellen, 2008, Contemporary Fine Arts, Berlin
Memory wall, 2008, powder coated steel, 550 x 1200 x 44 cm
Einbruchstellen, Contemporary Fine Arts, Berlin
Black Angry Wall, 2007, letterpress prints, 31 x 27,5 cm each
Der Müde Traum, 2008, wood, paint, metal, 330 x 550 x 550 cm Einbruchstellen, Contemporary Fine Arts, Berlin
Trauma, 2007, waxed steel, 186 x 210 x 163 cm
Zeittraum, 2002, letterpress print, 24 x 17,5 cm
Zeittraum #11, 2002/2018, wood, metal, paint, Museum Haus Konstruktiv, Zurich
Zeittraum X, 2013, wood, metal, paint, 380 x 1000 x 47 cm
Almine Rech Gallery, Brussels
Zeittraum IV, 2004, wood, metal, glass, paint, 600 x 2000 x 40 cm
Kunsthalle Mannheim, Mannheim
Zeittraum IV, 2004, wood, metal, glass, paint, 600 x 2000 x 40 cm
Kunsthalle Mannheim, Mannheim
Zeittraum I, 2002, wood, metal, paint, 435 x 900 x 48 cm
Zeittraum, Galerie Giti Nourbakhsch, Berlin
Yesterday`s Papers, 2002, letterpress-print, 21 x 14,5 cm
Yesterday`s Papers, 2002, letterpress-print, 24 x 17,5 cm
Yesterday`s Papers, 2002, letterpress-print, 21 x 14,5 cm