Kreatur des Einfalls (Creature of Incidence), 2019, steel, galvanised, undercoated in black, 330 x 50 x 60 cm  

Creature of Form, 2018, steel, powder coating, 56 x 63 x 50 cm 

Hollow Face Illusion, 2017, print, epoxy resin, metal, 228 x 155 x 30 cm  

Backbone Track, 2017, steel, VW Käfer hoods, wood, 214 x 200 x 200 cm  

Particular Cases, 2017, brass, steel, 131,5 x 150 x 80 cm  

Compressed Substance Shift, 2017, pulp painting, 200 x 144 cm 

Creative Friction, 2017, pulp painting, 204 x 145,5 cm  

Projection on a Present Moment, 2014, pulp painting, 200 x 144 cm  

Katja Strunz, Contemporary Fine Arts, Berlin, 2017  

Katja Strunz, Galerie Ruzicska, Salzburg, 2014 

Pulp Paper II, 2013, pulp painting, 203 x 146 cm  

Pulp Paper I, 2013, pulp painting, 203 x 143 cm  

Drehmoment (Viel Raum, Wenig Zeit), 2013, epoxy resin, various metals, 182 x 53 x 27 cm
Berlinische Galerie, Berlin  

Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin, 2013  

Tellurischer Riemen, 2013, steel, laquer, 800 x 250 x 400 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin 

Tellurischer Riemen, 2013, steel, laquer, 800 x 250 x 400 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin 

Self Existing, 2012, collage, framed 63 x 49 cm 

Tellurische Kontraktion, 2013, aluminium, steel, laquer, 250 x 250 x 250 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin 

Tellurische Kontraktion, 2013, aluminium, steel, laquer, 250 x 250 x 250 cm
Drehmoment (Viel Zeit, Wenig Raum), Berlinische Galerie, Berlin 

There is no clock in the forest, 2013, various metals, Private Estate, New York  

There is no clock in the forest, 2013, various metals, Private Estate, New York  

There is no clock in the forest, 2013, various metals, Private Estate, New York  

There is no clock in the forest, 2013, various metals, Private Estate, New York  

There is no clock in the forest, 2013, various metals, Private Estate, New York  

There is no clock in the forest, 2013, various metals, Private Estate, New York  

Tick Tock Crick Clock, 2011, Almine Rech Gallery, Brussels  

Einfalt der Vier, 2010, steel, laquer, 430 x 560 x 560 cm
Im Geviert, Saarlandmuseum, Saarbrücken  

Einfall, 2010, steel, laquer, 575 x 88 x 65,5 cm
Im Geviert, Saarlandmuseum, Saarbrücken  

Einfalt und Ort, 2010, steel, laquer 175 x 230 x 197 cm
Im Geviert, Saarlandmuseum, Saarbrücken  

Einbruchstellen, 2008, Contemporary Fine Arts, Berlin  

Memory wall, 2008, powder coated steel, 550 x 1200 x 44 cm
Einbruchstellen, Contemporary Fine Arts, Berlin  

Black Angry Wall, 2007, letterpress prints, 31 x 27,5 cm each  

Der Müde Traum, 2008, wood, paint, metal, 330 x 550 x 550 cm Einbruchstellen, Contemporary Fine Arts, Berlin  

Trauma, 2007, waxed steel, 186 x 210 x 163 cm  

Zeittraum, 2002, letterpress print, 24 x 17,5 cm  

Zeittraum #11, 2002/2018, wood, metal, paint, Museum Haus Konstruktiv, Zurich 

Zeittraum X, 2013, wood, metal, paint, 380 x 1000 x 47 cm
Almine Rech Gallery, Brussels  

Zeittraum IV, 2004, wood, metal, glass, paint, 600 x 2000 x 40 cm
Kunsthalle Mannheim, Mannheim  

Zeittraum IV, 2004, wood, metal, glass, paint, 600 x 2000 x 40 cm
Kunsthalle Mannheim, Mannheim  

Zeittraum I, 2002, wood, metal, paint, 435 x 900 x 48 cm
Zeittraum, Galerie Giti Nourbakhsch, Berlin  

Yesterday`s Papers, 2002, letterpress-print, 21 x 14,5 cm  

Yesterday`s Papers, 2002, letterpress-print, 24 x 17,5 cm  

Yesterday`s Papers, 2002, letterpress-print, 21 x 14,5 cm