Nachzeit, Contemporary Fine Arts, Berlin, 2011
"In the tradition of both Borges and Smithson, Strunz's work suggests a dual metaphor of blindness encompassing both the negative connotation of a lost vision and a potentially new way of seeing, whereby the center of the work shifts with the ever expanding body of temporal history, it accrues." (H. Pesanti, 55th Carneggie International, life on mars, p.307)

       

       

       

       

       

       

 Untitled, 2000-2011, wood, clock, paint, 25 x 202 x 230 cm     

 Untitled, 2000, wood, paint, alarm clock, clock case, 65 x 117 x 30,5 cm     

 Kinks in Time, 2010, waxed steel, copper, enamel bowl, 81 x 63 x 26 cm     

 Untitled, 2010, waxed steel st37, 57 x 40,5 x 15 cm     

 Trauma, 2007, waxed steel st37, 186 x 210 x 163 cm     

 Untitled, 1998, wood, 13,7 x 108,5 x 17 cm     

 Visionary Fragment, 2005, patinated bronze, 35,5 x 32 x 26 cm