Tick/Tock, Crick/Clock, Almine Rech Gallery, Brussels, 2011
"The ticking clock represents a mechanistic, progressive, linear world view, a chronological sequence of past, present and future. I use clocks in my work to challenge notions of linear thinking, thus to underline overlapping temporalities" K.S.
"When displaying her works for an exhibition, nothing is left to chance: by establishing slight nuances of times and spaces, Strunz’s sculptures interact and seem to capture a moment. A moment taken from an endless progression of a movement, maybe from the ticking of a clock, as the title of the exhibition “Tick-Tock, Crick-Clock” indicates."(gallery press release)

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 Einfalt und Ort, 2011, powder coated steel, stainless steel, 160 x 99 x 72cm     
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 Verkettung (Werkstattreste), 2007-2012, various metals, dimensions variable     
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 Clock Kink, 2011, steel, brass, paint, 190 x 105 x 29 cm     
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 Tick, 2008, brass, patinated bronze, powdercoated steel, 95 x 45 x 10 cm     
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 Tock, 2008, steel, stainless steel, brass, 276 x 144 x 6cm